![]() ![]() The new style of music eventually reached Europe and the United Kingdom. Through such record companies Chicago blues became a commercial enterprise. ![]() What drove the blues to international influence was the promotion of record companies such as Paramount Records, RCA Victor, and Columbia Records. During the 1930s virtually every big-name artist played there. One of the most famous was Ruby Lee Gatewood's Tavern, known by patrons as "The Gates". New trends in technology, chaotic streets and bars adding drums to an electric mix, gave birth to a new club culture. The first blues clubs in Chicago were mostly in predominantly black neighborhoods on the South Side, with a few in the smaller black neighborhoods on the West Side. The standard path for blues musicians was to start out as street musicians and at house parties and eventually make their way to blues clubs. ![]() It was a natural location for blues musicians to perform, earn tips, and jam with other musicians. Residents of the black community would frequent it to buy and sell just about anything. Maxwell Street blues performers and onlookers circa 1950Īn early incubator for Chicago blues was the open-air market on Maxwell Street, one of the largest open-air markets in the nation. For example, bottleneck guitarist Kokomo Arnold was a steelworker and had a moonshine business that was far more profitable than his music. Louis, as music created by part-time musicians playing as street musicians, at rent parties, and other events in the black community. Chicago blues is based on the sound of the electric guitar and the harmonica, with the harmonica played through a PA system or guitar amplifier, both heavily amplified and often to the point of distortion, and a rhythm section of drums and bass (double bass at first, and later electric bass guitar) with piano depending on the song or performer. You can't keep talking about mules, workin' on the levee." Ĭhicago blues was heavily influenced by Mississippi bluesmen who traveled to Chicago in the early 1940s. Bruce Iglauer, founder of Alligator Records stated that, "Chicago blues is the music of the industrial city, and has an industrial sense about it." Additionally, recognizing the shift in blues, Chicago blues singer and guitarist Kevin Moore expressed the blues transition stating, "You have to put some new life into it, new blood, new perspectives. ![]() Big Bill Broonzy and Muddy Waters directly joined that migration, like many others, escaping the harsher southern Jim Crow laws. to the industrial cities of the north, such as Chicago. Urban blues evolved from classic blues following the Great Migration, or the Great Northern Drive, which was both forced and voluntary at times, of African Americans from the southern U.S. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. Form of blues music indigenous to Chicago, Illinois Chicago bluesĬhicago blues is a form of blues music developed in Chicago, Illinois. ![]()
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